The geto boys-mind playing tricks on me lyrics

In it, he implied that the realm of fictional violence in his songs was an escape from the tragedies that continued to befall him in the real world. But the second verse completely rewrote this narrative. вЂњDeath ainвЂ™t nothinвЂ™ but a five letter word to me/And itвЂ™s gonna be like that till somebody grab their gat and try to murder me,вЂќ he rapped in the opening verse of вЂњAlready Dead,вЂќ presenting himself as an unfeeling demon. Some of the best Bushwick Bill verses blur the lines between spine-tingling horrors and the dark truths of his life. Bushwick Bill: вЂњ Already DeadвЂќ (Verse 2) вЂњI refuse to be another violent casualty,вЂќ he rapped, his voice calm.

On вЂњSix Feet Deep,вЂќ he depicted how such harsh conditions could harden young men as he played defiant in the face of murdered friends and grisly evening news reports. In the group, Scarface peerlessly imparted the emotional toll that being surrounded by death takes on a person, while Bill presented the alternative: a cold, distant survivalist completely numbed by his experiences. Geto BoysвЂ™ twisted, sadistic scenes were closer to director Wes CravenвЂ™s horror classics than N.W.AвЂ™s gangsta provocations, but the crew was constantly balancing the fiction of their splatter raps with the realities of HoustonвЂ™s Fifth Ward. In the second verse, the schadenfreude became a gag when Bill rapped, вЂњEvery arm I chop off I give the fingers to charity.вЂќ Here, he constructed an alternate universe where the spooks win as he relished the opportunity to play the ghoul. вЂњChuckwickвЂќ is rife with powerful imagery from across the horror canon: Texas Chainsaw Massacre, Stephen KingвЂ™s Cujo, the bloodthirstiness of Hannibal Lecter, and, of course, the return of Chuckie. All heвЂ™s left with are feelings of dread. But when the others around him disappear, Bill realizes heвЂ™s actually bloodying his fists punching the concrete.

He and the other members of the Geto Boys jump the man. On the defining Geto Boys song, Bill was the one trapped in a nightmare, faced with his own worst fear: A seven foot goliath that he canвЂ™t stave off. Geto Boys: вЂњ Mind Playing Tricks on MeвЂќ (Verse 4) Bill, like Chucky, intentionally played against type, using a perceived harmlessness to his advantage.

He was great at playing the villain maniacal enough to seem unhinged but sinister enough to be a hair-raiser. Through Chuckie, he traced his darkest impulses. The rapperвЂ™s fascination with slasher cinema led him to don the Chuckie persona, his version of the fiendish Chucky doll from ChildвЂ™s Play. He did not mince words: вЂњYouвЂ™re a bad motherfucker if you dare to compete/вЂ™Cause Diana RossвЂ™ll be cominвЂ™ out your ass, fool/And have you singinвЂ™ the blues,вЂќ he spat, the image at once hilarious and frightening. Geto Boys: вЂњ Size AinвЂ™t ShitвЂќ (Verse 1) Д«ushwick BillвЂ™s animating battle cry can be found on вЂњSize AinвЂ™t Shit,вЂќ where he embodied the fearlessness of taking on giants. As Talib Kweli put it earlier today, вЂњHe defied every odd and became an institution.вЂќ Below are eight Bushwick Bill verses that speak to his fright-filled legacy. Across the Geto Boys discography, and during a solo career that ran concurrently with and then beyond his work in the group, Bill narrated his own incredible, undeniable success story a little black person from one of the most dangerous places in America isnвЂ™t supposed to have such an outsized impact.

The geto boys-mind playing tricks on me lyrics